What do we learn from Nataša Petrešin-Bachelez’s Slow Institutions

New worlds could be created in response to traumas of the past and present.

In the lectures on two symposiums on the idea of resilience (also her curated show Resilience: U3—Triennial of Contemporary Art in Slovenia in 2013), Nataša Petrešin gave an emotional pursuation to art institutions in retreating from progress-driven modes of living and thinking to what I interpreted as ‘ecologies’ that establish connections between all memebers of institutions whom being seen as living and breathing organisms within each habitat.

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