Sol LeWitt and Jean Leering

Banal ideas cannot be rescued by beautiful execution.

Sol LeWitt, “Sentences on Conceptual Art, 1968,” Art-Language 1, no. 1 ( 1969 ). Reprinted in Conceptual Art, ed.
Ursula Meyer (New York: E.P. Dutton & Co. Inc., 1972 ), 175

In my view, this is […] the essence of the social task facing the museum: to relate the conceptual world of individual creativity, that is art, with that of collective creativity, in which in principle everyone participates and which thus enables everyone to feel himself to be its creator. This points to the emancipatory influence, which such an approach on the part of the museum can have in a cultural and political sense.

Jean Leering, “Against the Cast-Iron Positions(Tegen de ingegraven stellingen),” Hollands Diep (June 19 , 1976 ). English translation.

Quotes on artistic freedom in current time


The new culture, underpinned by the values of freedom, civility, tolerance, and resilience, would support artistic and creative freedom; strive to create a productive, healthy, and inclusive society; and foster responsible citizenry. Supporting audiences of the future would be the absolute priority.

Finding Resilience in Challenging Times,
published on American Alliance of Museums in March 2019

Collections Management at Temple Cloud Archaeology Collection Store

I was a master’s student studying at the University of Reading. I was intrigued by the historic architecture but at the same time questioned its transformation. Later on, I volunteered for the Reading Museum, and actively engaged with volunteers and organisations to know more about their expectations on, and encounters with, heritage and historic sites in their neighbourhood. I was eager to gain professional advice, guidance and hands-on experience on heritage conservation and curation.

Located on a country lane amidst farmlands and residential houses, the Temple Cloud Archaeology Collection Store houses an archaeology collection from West England, most of which were transferred from the Fort Brockhurst store in 2016.

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Interior of the Temple Cloud Archaeology Collection Store

The English Heritage West Curatorial and Conservation team cares for historic sites and the artefacts excavated in West England over the last century. Some of the sites are familiar to people within the neighbourhood, such as chapels, gardens and monuments; while some are renowned worldwide attractions, like Stonehenge and other magnificent castles. The conservation and interpretation work on the historic environment and collection re-tells past events (or at least hypothesises what we think might have happened). As a form of community engagement, volunteers were also recruited to help out with repacking in order to meet the busy move-in deadline.  Planning of further engagement with the community, such as guided tours, is underway.

Throughout the placement I worked with curators on collection auditing, packing and repacking of artefacts, conservation cleaning, and documentation of collections from various sites in the West. Essential skills of using the Collections Management System (HOMS) were demonstrated to all members of staff – location updates are frequent actions for the rehousing of the collection to ensure the accuracy of the record and adding relevant information onto the object.

The project I had been given was the documentation and repacking of the newly acquired collection from Sherborne Old Castle, Dorset. It included 96 stone works, and over ten thousand organic objects, human remains, photographs, slides, negatives, scientific reports and paper documents, compositing a thorough record of the several excavations in the 1930s to 1980s. Over 3,300 items from the Sherborne Old Castle collection were documented and repacked in four months.

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I also assisted in the execution of preventive conservation on paper, metal, wood, medieval ceramics and stonework. Dee Lauder, author of English Heritage’s acclaimed book Pests in Houses Great and Small gave us a lecture on pest management and showed us ways to tackle and monitor pest infestation; humidity and other potential risks on the collection were also monitored by the conservators.

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Taking the opportunity of the yearly inspection, I have shadowed conservators in performing conservation auditing duties in several sites. Conservators would review the conditions of the collection and effectiveness of current conservation measures with a point-based system. Interviews with the site manager were conducted to gather information that would facilitate long term planning.

The collections management placement at English Heritage had been extensive and intensive. It offered practical knowledge and invaluable experience in handling artefacts and a collection of a whole range of materials. Most importantly, this experience has shed light on current issues concerning heritage conservation, particularly on significance evaluation.

The many conversations and discussions in which they provided viewpoints on heritage conservation and the organisational operation had nurtured me to become an all-rounded museum professional. Across time, certain rules and guidelines change. Some questions of mine have been answered, and I am now more confident in pursuing a career to work for the betterment and enjoyment of many more generations to come.

Rethinking ‘the book’ as a medium

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only those we’ve encountered, existed. (2018)

I thought April 2018 would be the end of the project, after the realisation of how a person could be affected by this contemporary form of ‘stories’. You kind of drifted away from it when you discover the substantial amount of unnecessary information you forced yourself to receive daily. Whats more is during the process of typographing, binding, going through the substances over and over again amplifies the emotion embedded within the lines and images. Memories repeat and repeat until you want to emancipate your mind from it – that’s what I told my audiences who visited the exhibition at RSA.

But what happened recently in the hovering city have drawn my attention, once again, back to the social media. Being absent from the crime scene doesn’t mean that you could deny a crime was committed. It is experienced by million others – and things change, so as your self-consciousness and identity, your mind forged by images and your position moved by words – all begins at the moment you choose to process an information.

People expecting a storm can’t help checking on the forecast.

 

Figuring​ the Impact of Social Media Contents: The ‘Response Calibration Index’

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Original Response/Calibration Factor

The ‘Response Calibration Index’ (RCI) reflects the level of affectiveness imposed by social media contents to its users. In each of the day recorded, the higher the index, the more fluctuate the emotion undergone by the social media users.

*This calculation method is developed during the research for my studio project.

Book making: experiements

 

Mockups (Japanese, kettle stitch and perfect binding) for ‘only those we’ve encountered, existed.’ (2018)

Tried different binding methods and grids for the book and decided to use kettle stitch binding. Tracing paper will be used for the session starter pages as a hint on how emotion react with the contents.